Hyperfiction: What is it...

Hypertext fiction is a genre of electronic literature, characterized by the use of hypertext links which provides a new context for non-linearity in "literature" and reader interaction. The reader typically chooses links to move from one node of text to the next, and in this fashion arranges a story from a deeper pool of potential stories. Its spirit can also be seen in interactive fiction.

The term can also be used to describe traditionally-published books in which a nonlinear narrative and interactive narrative is achieved through internal references. James Joyce's Ulysses (1922), Enrique Jardiel Poncela's La Tournée de Dios (1932), Vladimir Nabokov's Pale Fire (1962) and Julio Cortázar's Rayuela (1963; translated as Hopscotch) are early examples predating the word "hypertext", while a common pop-culture example is the Choose Your Own Adventure series in young adult fiction and other similar gamebooks.

The first hypertext fictions were published prior to the development of the World Wide Web, using software such as Storyspace and HyperCard. Michael Joyce's Afternoon, a story, first presented in 1987 and published by Eastgate Systems in 1991, is generally considered one of the first hypertext fictions. Afternoon was followed by a series of other Storyspace hypertext fictions from Eastgate Systems, including Stuart Moulthrop's Victory Garden, its name was Penelope by Judy Malloy, (whose hyperfiction Uncle Roger was published online on Artcom Electronic Network on The WELL from 1986 to 1987) Carolyn Guyer's Quibbling, Shelley Jackson's Patchwork Girl and Deena Larsen's Marble Springs. Judy Malloy's l0ve0ne, created in 1994, was the first selection in the Eastgate Web Workshop.

Shelley Jackson (born 1963) is an American writer and artist known for her cross-genre experiments, including her groundbreaking work of hyperfiction, Patchwork Girl (1995). In 2006, Jackson published her first novel, Half Life.

Born in the Philippines, Jackson grew up in Berkeley, California, where her family ran a small women's bookstore for several years; Jackson later recalled, "I was already in love with books by then....and the family store just confirmed what I already suspected, that books were the most interesting and important things in the world. Of course I wanted to write them!" She graduated from Berkeley High School, and received a B.A. in art from Stanford University and an M.F.A. in creative writing from Brown University. She is self-described as a "student in the art of digression".

While at Brown, Jackson was taught by electronic literature advocates Robert Coover and George Landow. During one of Landow's lectures in 1993, Jackson began drawing "a naked woman with dotted-line scars" in her notebook, an image she eventually expanded into her first hypertext novel, Patchwork Girl. Jackson later said that she never considered publishing Patchwork Girl as a print novel, explaining, 

“I guess you could say I want my fiction to be more like a world full of things that you can wander around in, rather than a record or memory of those wanderings. The quilt and graveyard sections [of the hypertext], where a concrete metaphor that resonates with the themes of the work creates a literary structure, satisfy me in a very corporeal way. I salivate, my fingers itch".

A  nonchronological reworking of Mary Shelley's Frankenstein, Patchwork Girl was published by Eastgate Systems in 1995 to acclaim; it became Eastgate's best-selling CD-ROM title and is now considered a groundbreaking work of hyperfiction."Patchwork Girl" uses tissue and scars as well as the body and the skeleton as metaphors for the juxtaposition of lexia[disambiguation needed] and link [disambiguation needed]. While working in a San Francisco, California bookstore, Jackson published two more hypertexts, the autobiographical My Body (1997), and The Doll Games (2001), which she wrote with her sister Pamela.

Read More: http://en.wikipedia.org/wiki/Shelley_Jackson